First I sketch in pencil, some ideas (this is one of three ideas) scan the sketch and roughly block in color choices. The point is to have fun and be open to ideas (in the process I found a photo of butterfly wings that I manipulated and pasted it in, I didn't plan to have wings on the fairy at first).
Just to use for color choices.
The attitude being, "Whats the worst the client can do, say no?"
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The next step is to enlarge the file to 13"x19", print it out, tape it to Stathmore Bristol Board, lay it on a light table, and ink it with a #4 Winsor Newton series 233 brush, the details of the fairy's face I ink with a Hunt's #102 Croquill pen. The lettering was completed in Adobe Illustrator as a separated file. I combine that file with the scanned, inked artwork.
So it looks like this...
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If you learn how to use traditional techniques, you can use any computer, any program to do anything you want, (plus if the power goes out you can still paint!).
The final approved design:
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Now I just sit back, and wait to see how the printer handles the colors.
That hasn't changed!
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